Video Film & Television in
Mexico
 |
Ing. José
María Noriega C.A.S
VideoWorld CEO Executive Producer,
Cinematographer & Director
Adventure and
ecological travel around Mexico with the
most experienced travel video producer and
director of México
|
|
Tel 521 55 3201 8741 from Mexico City 044 55 9197 4833
video@video.com.mx
skype jose.noriega
Last edited
24/04/13
© Copyright 1981-2011 VideoWorld SIGNAL GROUP
EQUIPMENT & STAFF
Production Services
/ Direction / DP/ Film / Digital Cinema /
Videography Day Rates /
We can deliver a
varied range of projects in film and video and
usually work out a price specific to the job
if it goes for more than one day.
Video & Film Production
Package prices EQUIPMENT & STAFF in US
dollars per day includes preproduction via email and
field production
Production
Manager trilingual (English-French-Spanish executive
line producer / production manager / fixer)
Film and Video Crews
Rates depend on
your shooting schedule needs, script, personnel,
equipment, and services for lighting, grip, and
camera, we can provide a flat rate or a Cost Plus
Fixed Fee basis.
-
STAFF production manager
For coordination, translation, quoting, location
scouting and securing, official permits
assistance
Needed for any formal quotation for pre-production
or coordination of crew and equipment that
exceeds one day jobs
-
My Production Manager
rates for pre-production work and on the field
and location work are defined as follows:
Contractor shall provide services as a
Production Manager for Company’s video or film
shoot, Contractor’s services shall include the
hiring of a local film, video & audio crews,
production assistants, drivers, obtaining
permits for various locations, assistance in
getting all equipment in and out of Mexico (Permits
will be needed), managing funds for crew meals
while on location and translation services, as
necessary, in accordance with the production
budget approved by Company
$2500 per week
$3920 per 2 weeks
$7800 per month
We are freelancers
so you never know - it may be a bargain day. If you
have a multiple day shooting, send me an email with
the details of your production or if you are in a
hurry give me a call: skype jose.noriega
My Studio (52) (55) 4437 2209
Celular (521) (55) 3201 8741
email
|
Production packages per day Equipment &
Staff |
|
 |
 |
|
Red Camera 4 k
with
full data support and scratch transfer |
US$
$3500 per day |
Sony High Definition Cine Alta system F900
Camera tech and Assistant with
Transportation, EFP Kit Light & Audio
 |
US$ 1950 per day |
CineAlta XDCAM EX system Sony PMW-EX1 B-Roll
Camera tech
and Assistant with Transportation, EFP Kit
Light
 |
US$ 1200 per day |
CineAlta
XDCAM EX system Sony PMW-EX1 B-Roll & with
wireless boom and lavalier audio
Camera tech and Assistant with
Transportation, EFP Kit Light & Audio
 |
US$ 1420 per day |
New Sony
HVR-Z7 B-roll
HDV 24P system Sony HVR-Z7 with
Interchangeable lens, Tape and Cards
Camera
technician-Assistant with Transportation,
EFP Kit Light
|
US$ 730 per day |
New Sony
HVR-Z7
B-Roll &
with wireless boom and lavalier audio
HDV 24P system Sony HVR-Z7 with
Interchangeable lens, Tape and Cards
Camera
technician & Assistant with Transportation,
EFP Kit Light & Audio
|
US$ 1050 per day |
Panasonic Varicam AJ – HDC27F VARICAM HD
CINEMA 24P 4-60 FPS
Camera tech and Assistant with
Transportation, EFP Kit Light & Audio |
US$ 1750 per day |
Sony Digital
Betacam
Camera tech and Assistant with
Transportation, EFP Kit Light & Audio |
US$ 1500 per day |
Betacam system Sony 637 PVV3
Camera techn and Assistant with
Transportation, EFP Kit Light & Audio |
US$ 1200 per day |
Mini DV or
DVCAM 3 CCD B-Roll
Camera
technician-Assistant with Transportation,
EFP Kit Light |
US$ 600 per day
|
Mini DV or
DVCAM 3 CCD
B-Roll &
with wireless boom and lavalier audio
Camera tech & Assistant with
Transportation, EFP Kit Light
|
US$ 850 per day |
All packages
include the following Full ENG
Corporate & Docummentary Production Packages
EQUIPMENT & STAFF
Camera
production package with technician in charge
that can act as cameraman-assistant,
Transportation to call place in Mexico City |
|
|
Grip Kit
|
Westcott
Reflector Stand and Background with
reflector arm Gold Silver and White
reflectors |
|
CAMERA SUPPORT |
Vinten
Vision Manfrotto or Sony or similar tripods |
|
MICROPHONES |
ON camera
microphone |
|
Minivan
Transportation |
Windstar 7
seat / Additional Transportation available
upon request |
|
VIDEO
MONITOR |
On Camera &
Varizoom |
|
Travel days
without shooting or taping are charged at
50% rate |
|
|
Travel days
with shooting or taping are charged at full
rate |
|
Lighting
4 light lighting kit Arri, 600 Watts each
2400 Watts total
1 Kit Chimera light and softbox with color
correction screen 1000 & 500 Watt
1 Kit de Lighting 600 4 Lights 4 Barndoor, 4
Filter Frame, 4 6 5/8” Full Single Scrim, 4
600W Lamp
1 Kit Reflector Westcott silver,gold, white
with arm and tripod
1 Kit Westcott background with tripod
1 Sungun Frezzi or Lowell with batteries NP1
or Battery Belt |
|
|
Additional
direct audio on location
with boom mixer and DAT can be provided on
request |
|
|
1 Boom fish
pole, Sennheiser Shotgun, Wireless Lavalier
& Wired Microphones, Lavalier & Omni
Directional Handheld Microphone with audio
asst NO MIXER |
$250 US CY
per day |
Direct audio
staff with mixer and recorder
Location audio assistant
with Mixer and DAT Bag, wireless boom
audio with Audio Receiver & Transmiter,
Mixer 4 mics, Rycote Winshield,
Hypercardioid Microphone, extendable boom
pole |
US$ 550 per
day
|
Production
for MOS film 16mm Motorized Bolex SBM Sync
camera
EQUIPMENT & STAFF Bolex SBM Sync camera
Cameraman, asst loader and camera
ENG Tungsten Lighting, no audio:
|
$1000 per day
|
16mm
Film Production with SOUND DIRECT film 16mm
with Motorized Bolex SBM Sync camera
EQUIPMENT & STAFF Bolex SBM Sync camera
ENG Tungsten Lighting, & transportation,
cameraman, asst loader, direct sound with
DAT and mixer: |
$1500 per day
|
Production for film
MOS Wild sound 35 mm Arri II C MOS camera
EQUIPMENT &
STAFF
Arri II C
MOS camera
ENG Tungsten
Lighting, & transportation, cameraman, asst
loader and camera
No audio, NO HMI, NO GRIP TRUCK
|
$1500 per day
|
Super 16mm Film
Production for daylight Sound Direct filming
Super 16 ARRI SR II with Arri SR II Camera
Package
EQUIPMENT & STAFF Arri SR II Camera
Production Manager, Director, DP,
direct sound with DAT and mixer
WITH SMALL ENG ARRI KIT, DIRECT SOUND BUT NO
HMI NO GRIP TRUCK |
$2500 per day
|
Super 16 mm Film
Production full fledged indooors and
outdoors in super 16 with Arri SR II Camera
Package with HMI and GRIP truck
EQUIPMENT & STAFF Arri SR II Camera
Production Manager, Director, DP, Cameraman
and grip and lighting staff, direct sound
with DAT and mixer 3 TON Lighting truck with
grip, HMI lighting, electric lines, grip
truck, transportation and power plant
|
$3500 per day with
HMI, power plant and GRIP truck (No fuel)
|
35 mm Film Production
full fledged
indooors and
outdoors
for features and total commercial production
in 35 mm with Arri 535-A, Arri 435-ES, ARRI
BL III, Sync sound 35 mm cameras
EQUIPMENT &
STAFF
Production
Manager,
Director, DP,
Cameraman and grip and lighting staff,
direct sound with DAT and mixer 3 TON
Lighting truck with grip, HMI lighting,
electric lines, grip truck , transportation
and power plant |
$4500 per day with
HMI, power plant and GRIP truck (No fuel)
|
Full Production and
Postproduction Broadcast and Corporate Video
Production
PRODUCTION CREWS EDITING HD FIXED PRICE RATE CARD
We now offer a range of fixed price production
options. Simply choose the option that suits your
requirements and leave the rest to us. These options
are subject to a few simple restrictions and we
would be happy to explain these to you. Contact Jose
Noriega 521 55 3201 8741 or email
video@video.com.mx for more details.
Micro Budget: $4,000 US Dollars
2 Days filming with Director/Cameraman. 2 Days
editing followed by approval tape, then 1 further
days editing prior to final delivery of master tape
or DVD disk. Music restricted to royalty-free music.
Graphics limited to anything that can be produced in
the edit suite, within the allocated editing time.
Low Budget: $7,800 US Dollars
2 Days filming with 2 man camera crew. 3 Days
editing followed by approval tape, then 1 further
days editing prior to final delivery of master tape
or DVD disk. Music restricted to royalty-free music.
Small allowance for 3D or animated graphics plus any
graphics that can be produced in the edit suite.
Professional voice over.
Medium Budget: $13,500
3 Days filming with 2 man camera crew. 4 Days
editing followed by approval tape, then 1 further
days editing prior to final delivery of master tape
or DVD disk. Recording studio session with composer
for custom music score. Allowance for 3D or animated
graphics, plus any graphics that can be produced in
the edit suite. Professional voice over.
Big Budget: $19,000
Producer/Director allocated for duration of
production. Story-board preparation, location , 4
Days shooting with 3 man crew. 5 Days editing
followed by approval tape, then 1 days further
editing. Recording studio session with composer for
custom music score. Allowance for 3D animated
graphics, including motion tracking, plus any
graphics that can be produced in the edit suite.
Professional voice over. DVD authoring with menus.
Notes:
Filming locations must be within 50 miles of
Mexico City, otherwise reasonable traveling expenses
will be added to the final price. Graphics
allocations will be discussed prior to project
commencement, It may be possible to swap filming
days for Graphics work depending on the nature of
the video. We shoot on SD DVCAM or HDV using
professional equipment. For CineaAlta HD or HDCAM
productions please contact us for competitive rates.
All rates are plus 15% VAT.
|
Film &
Video Personnel Crew per day |
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|
Personnel fees
are invoiced by Video Film & TV World and
customer has to have film or video insurance
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|
|
If proof of
insurance is not provided 15 days in advance
please add 10% for equipment & personnel
insurance |
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|
Film and video
production shifts are 10 hours from door to
door, our address or hotel address at
location with 2 half hour breaks for meals
after 4 hours of work or travel |
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|
Extra time is
charged at 10% per hour |
|
|
Lodging,
transportation, meals will be provided by
customer |
|
|
Digital Video
crew per day |
|
|
Production
manager and /or field
producer for film & video pre-production via
email or phone with your producer/director,
production and postproduction in location in
Mexico |
US$ 500 per
day |
|
Director / DP
/ Videographer HDV with Sony HVR-Z7 B-Roll |
US$
730 per day
|
|
Director / DP
Digital Cinematographer for CineAlta &
Varicam |
US$ 1500 per
day |
|
DP
Director
of Photography for
Digibeta |
US$1000 per
day |
|
DP
Director
of Photography for
Betacam SP |
US$ 500 per
day |
|
DP
Director
of Photography for
HDV HVR-Z7
and CineAlta XDCAM EX1
|
US$ 500 per
day |
|
Cameraman for
HDV DVCAM,
DV or Betacam SP |
US$ 300 per
day |
|
Head Gaffer
video & film |
US$ 250 per
day |
|
Grip and
Lighting assistants HMI and Kino Flo |
US$ 150 per
day |
|
Grip and
Lighting assistants Tungsten |
US$ 100 per
day |
|
Bilingual
additional production assistants |
US $250 per
day |
|
Staff grip
& lights |
US $100 per
day |
|
Film Personnel & Staff |
|
|
DP Cinematographer Film
35mm or Super 35 |
US$1,500
per day |
|
DP
Cinematographer Film Super 16mm
|
US$1,000
per day |
|
DP
Cinematographer Film 16 mm
|
US$500
per day |
|
1 Camera Assistant film |
US$350
per day |
|
2nd Camera Asst film |
US$165
per day |
|
Video Assist
Operator |
US$150 per day |
|
Loader and or Camera
Technician |
US$165
per day |
|
Steadicam
Operator |
US$1000
per day |
|
Light
Generator Operator and assistant |
US$ 200 per
day |
|
Dolly panther
Operator |
US$150 per day |
|
Direct audio
staff with equipment NO MIXER NO RECORDER
1 Boom fish
pole, Sennheiser Shotgun, Wireless Lavalier
& Wired Microphones, Lavalier & Omni
Directional Handheld Microphone with audio
asst |
US$ 250 per
day |
Direct audio
staff with mixer and recorder
Location audio assistant
with Mixer and DAT Bag, wireless boom
audio with Audio Receiver & Transmiter,
Mixer 4 mics, Rycote Winshield,
Hypercardioid Microphone, extendable boom
pole |
US$ 550 per
day
|
|
Make UP
Film or Video Hair
dresser and Make-up and basic make-up
supplies. |
US$ 250
per 4 hours shift
US$ 450
per 8 hours shift |
|
Teleprompter
Camera
teleprompter, controller, plus operator,
including pre-load of text material. |
US$ 450 per
day
|
Lighting
Interviews KOBOLD and HMI equipment only
4 Kobold de 1.20 (Like Kinoflo)
1 reflector HMI 575
5 Tripods for above lights
1 reflector sungun HMI
1 silk 8x8
4 centuries with head arm
4 flags black
2 Flags white
2 flags gaze
8 sandbags
8 Contact switcher
2 cayman holes |
$300 US CY
per day |
Extra Additional grip
can be provided on quotation
Matthews C-Stands
Flags, scrims, & related equipment
Assorted booms, cables, adapters, clamps,
gel frames, etc.
Audio cassette recorder
Intercomm |
|
|
Canon 400 D
XTi 10.2 Megapixel Digital Camera or
Polaroid One Step camera |
$75 per
day |
|
LIGHTING & GRIP |
|
|
Ligthing Interview Package: |
Package: |
|
1 - Arri 650
Sytem 4 Open Face Kit with 600 watt 3200
Kelvin tungsten light & stands |
$225 per
day |
|
1- Lowell Tota
2 light kit with Stands |
|
|
1 - Westcott
reflectors white/gold/silver |
|
|
1 - Westcott
background with stand and additional arm
|
|
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1 - Frezzi
Sungun on camera light |
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Grip Full ENG Package: |
Package: |
|
4 - c-stands
with booms |
$100 per
day |
|
3 - Reflectors
gold, silver, white |
|
|
2 - Flags Silk
Black, White |
|
|
4 - Clamps |
|
|
NOTE: no
weight/sand bags |
$5 per day
per sand bag no airplane |
|
Grip Picks: |
Picks: |
|
c-stand with
boom |
$25 |
|
4x8 lightform
frame with diff, wt refl, black |
$25 |
|
2x2 lightform
with silver/gold/white reflection |
$25 |
|
various
foamcore & reflection |
$10 |
|
various
clamps, C-47's, etc. |
$10 |
|
Expendables: |
Expendables: |
|
gel - ND,
diffusion, color correction |
$2 sqft |
|
camera tape
(blk/wht) 1" |
$12 |
|
gaff tape
(blk/wht) 2" |
$25 |
|
china marker |
$1 |
|
slate marker |
$3 |
|
MiniDV tape -
Sony DVM60 Premium Blue |
$25 |
|
velcro 1" |
$1 ft |
|
lens tissue |
$2 |
|
9v alkaline
battery |
$2 |
|
Communication:
2 Motorola
2-channel radios, clips, chargers
2 headsets |
$20 per day |
|
Transportation and cargo VANS |
|
|
Vehicles when
used for out-of-town Mexico City, or for
multiple locations have an extra charge |
US$ 0.50
per kilometre. |
9 Seats
Suburban for crews equipment director and
producer
|
$250 US CY
per day includes driver |
7 Seats Van
for crews equipment director and producer |
$150 US CY
per day |
|
Vehicles when
used for out-of-town, or for multiple
locations have an extra charge at: |
US$ 0.50
per kilometre. |
|
Betacam, DVCAM
and DV Tapes
 |
TAPESTOCK
Betacam SP 30 minutes
$30 each
Digital Betacam 32 minutes $45 each
DVCAM Tape mini
$30 each
DV Tape mini
$15 each
|
|
Locations, scouting and preproduction
services |
|
Location
scouting and research
|
$500 US CY
per day
|
|
Postproduction, Editing, and Special Effects |
|
We have 2 AVID
Media Composer 1000 editing seats with:
Betacam SP , SVHS, DV, DVCAM, Hi8 and Video
8 Feeds with AVID editor |
Price per
day $700 US CY |
|
with AVID
Editor |
Price per
week
$1500 US CY |
|
DVD production and Duplication |
|
|
Once you shoot
the images, we can author and duplicate it
in DVD or VHS |
$125 US CY
up to 90 minutes |
|
Replication
for long runs of 1000 pieces DVD CD-ROM and
VHS |
$3800 US CY |
|
CEO / Director &
Producer
José María Noriega |
|
|
Email |
video@video.com.mx |
|
Messenger |
videoworld@hotmail.com |
|
Tel
|
+52 55 5343
53560 |
|
Cel phone |
+52 55 3201
8741 |
|
Cel phone from
within Mexico |
044 55 9197 4833 |
Booking policies
We are
available for freelance production work. Call us
about availability. 52 55 3201 8741 / 52 55 4437 2209
Camera
equipment is usually available all week with camera
technician
-
All bookings
placed are holds until confirmed with a deposit
cleared in our account 4 days before shooting
this means a deposit has to be made at least 10
days before the first day of shooting
-
I will notify you
if another party desires a date/time that you
have held. At that time you may confirm the
booking or release the hold.
-
Cancel confirmed
bookings before noon the day before set call to
avoid additional charges.
-
Cancellation of
confirmed bookings after noon the day before set
call will be subject to half-day booked rate &
rentals.
-
Cancellation after
midnight before the day of set call will be
subject to a full-day booked rate & rentals.
BILLING:
-
Every day that
"film rolls" is billed as a shoot day.
-
Weekly rates on
long term projects are negotiable.
-
Rates are subject
to change without notice.
ADDITIONAL TERMS:
Air
transportation or out of town, lodging , tolls, and
meals have to be provided by customer
There
may be additional terms on your production agreement.
Be sure to read it carefully.
THE CONRAD L. HALL STATEMENT
"As Directors of
Photography, our responsibility is to the visual
image of the film as well as the well-being of our
crew. We strive to explore the language of
cinematography and the art of story telling. The
expanding practice of working extreme hours
seriously compromises both the quality of our work
and the health and safety of others. I believe it is
my obligation and the obligation of every Director
of Photography to oppose a practice that compromises
our creative ability as well as the health and well-being
of every member of the crew" |